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LITERATURE:
A. Sensier, Souvenirs surThéodore Rousseau, Paris, 1872, pp. 145, 219, 221, 241-42, 281, 285-86,
289, 292-93, 306 and 368.
A. Durand and A. Sensier, Études et croquis de Théodore Rousseau, Paris, 1876, cat. no. 20.
J. Mollet, The Painters of Barbizon: Millet, Rousseau, Diaz, NewYork, 1890, pp. 80-81, 121.
W. Gensel, Millet and Rousseau, Bielefeld, 1902, p. 74, fig. 6.
P. Dorbec, Théodore Rousseau, Paris, 1910, pp. 83, 100, illustrated.
P. Miquel, L’École de la nature. Le paysage français au XIXè siècle, 1824-1874, Maurs-la-Jolie, 1975,
vol. III, pp. 405-07.
M. Schulman, Théodore Rousseau, Catalogue raisonné de l’oeuvre peint, 1997, pp. 183, 367, cat. no.
271, illustrated.
G. M. Thomas, Art and Ecology in Nineteenth-Century France, Princeton, 2000, pp. 61, 109-10,
143, 145-47, 206, cat. no. 62, illustrated.
S. Kelly, ‘The patronage of Frédéric Hartmann and the question of finish,’ in The Burlington
Magazine, vol. CXLII, no. 1170, 2000, pp. 549-60, illustrated.
S. Kelly, ‘Ferme dans les Landes:A Rediscovered Painting byTheodore Rousseau’ in The Burlington
Magazine, vol. CXLIII, no. 1184, 2001, pp. 687-90, illustrated.
ENGRAVED:
Charles Maurand for Le Monde Illustré, Paris, 10 September 1859, as Bornage de Barbizon (Forêt de
Fontainebleau).
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