Page 28 - Luca Giordano - Liberation of St Peter
P. 28
fresco, and painted a grandiose St Peter, his pose based of the theatrical mood, of the dazzling contrasts between
on Domenichino, whilst the figure type, and the way in light and dark, that distinguished the endless festivities,
which he presents the story, look back to Ribera. The processions and sacred dramas that took place in these
composition, with two monumental figures, close to the years. It resonated with symbolic power, for the old idea
picture plane, and filling the surface, is close to the Jacob that the soul is in exile, in prison on this earth, struggling
wrestling with the angel. The angel itself has now become through darkness and tribulation to salvation, was con-
far nearer to Pietro da Cortona; it is strongly reminis- stantly elaborated by preachers and devotional writers.
cent, in both figure type and drapery, of the angels in At the traditional festival for St Peter in Chains the
Cortona’s Ecstasy of St Alessio (Naples, Gerolomini) which worshippers prayed to be delivered from sin, as Peter had
had been in Naples since the 1630s.27 been freed from his bonds. The Neapolitan priest and
poet, Maia Materdona, exclaimed, in his L’Utile Spavento
lll del peccatore, ovvero la Penitenza sollecita, ‘what is this world,
if not a prison’28 and to him St Peter’s liberation was
G iordano’s first Liberation of St Peter is a brilliant ex- associated above all with the power of comunal prayer.
pression of mood of the years immediately after the For the early church had freed Peter through prayer, and
plague, of thanksgiving for the divine intervention that in a long celebration of this, and of the intercession of the
had liberated the city from tragedy and sin. It has much saints, Materdona wrote that prayer was ‘the supreme force
which girded the strong heart... it overcame iron, for, at the
27. G. Briganti, Pietro da Cortona, Florence 1962, cat. no. 73. prayers of the new Christians, the chains of the imprisoned Pe-
28. G. Maia Materdona, L’Utile Spavento del peccatore, ovvero la Penitenza ter burst asunder.’29
sollecita, Rome 1649. HELEN LANGDON
29. Ibid., part 6, chapter 7, p. 46. part 7, chapter 1, p. 2.
26

