Page 32 - Vision & Ecstasy - Giovanni Benedetto Castiglione's St. Francis.
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had shown a cheerful St Francis giving his cloak to a
beggar, or charmingly preaching to the birds; now he
is penitential, ravaged by his ascetic experiences, and
swooning with ecstatic love of Christ. At the very
centre of Franciscan devotions were the Cross and
Passion of Christ, for it was‘the exceeding ardour of
his love’ for the suffering Christ,‘whom he laid, as a
bundle of myrrh, on his heart’ that drew Francis to
Him.2 He followed Christ in all things, and St
Bonaventure’s life of the saint, which became in this
period a favourite early source, instilled the notion
of St Francis as another Christ, ‘alter Christus’.
Fig. 1. VALERIO CASTELLO, Fame of the Balbi Family, Fundamental to this medieval concept lies Francis’
Palazzo Reale, Genoa experience of the stigmata on Mount LaVerna, when
the wounds of Christ Crucified were imprinted on his flesh, and he, who had so passionately imitated Jesus,
became identified with Him. Bonaventure’s account of Francis’ descent from Mount LaVerna has clear echoes
of Moses’ descent from Mount Horeb with the tablets of the law; Francis, he writes, after forty days in solitude
‘descended from the Mount, bearing with him the image of the Crucified, engraven, not on tablets of wood or
stone by the hand of the artificer, but written on his members of flesh by the finger of the living God’.3 His life
constantly evokes Francis’ penitential solitude, ‘in wild and solitary places, where, with tears and unutterable
groans, he poured forth long and fervent prayers’, or where, ‘tranquil in his solitude, (he) made the woods
resound with his sighs, and bathed them with his tears’.4
In 1529 Matteo da Bascio had founded the Capuchins, an order which sought a return to the primitive ideals
and affective spirituality of the early Franciscans; he won from the Pope the right to wear the pointed hood, shown
in 14th century paintings and believed to have been worn by St Francis, and the coarsely woven habit whose patches
and exposed stiches were so to delight many Caravaggesque painters. The Capuchins, who were to become, after
2. St Bonaventure, ‘The Life of St Francis of Assisi’, from the Legenda Santi Francisci of S.Bonaventure, edited, with a preface by
Henry Howard,Archbishop ofWestminster, London 1868, p.111
3. Ibid., p.166.
4. Ibid., pp. 14, 125.
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